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Call it an offer you can't refuse, a Sicilian message or a pair of cement shoes: The gangster film has an iron-clad lock on the hearts of movie lovers. Some of Hollywood's finest exports are crime sagas, and the indie and foreign-film worlds have followed suit with classics of their own. Gritty or, coolly silent or loaded with tough talk, these movies are five-course feasts, heavy on the red sauce—and make plenty of room for the most, like Al Capone, who appears on our list more than once. If we've forgotten a movie in our countdown, let us know (but we have the corner table, so we'll see you coming).By Dave Calhoun, Cath Clarke, David Ehrlich, Tom Huddleston and Joshua Rothkopf. “An old lady on Main Street last night picked up a shoe.
The shoe had a foot in it. We're gonna make you pay for that mess.”The greatest testament to Orson Welles’s seedy border noir is that it isn’t defined by its legendary opening shot, the long take to beat all long takes. Charlton Heston plays a Mexican newlywed investigating an explosion on the U.S. Side of the fence, but his inquiries hit a wall when he collides with an American police captain (Welles at his largest, in more ways than one), who may be the meanest gangster in town.— DE.
“Harry, do you know what you're doing? You're killing me. You're killing me and yourself.”Before he set the bar for movie heists with 1955’s, Jules Dassin left his mark on the world of hustlers and con men with this unsympathetic portrait of London lowlifes desperate to make their next score. Every bit as dark as its title suggests, Night and the City follows American Harry Fabian (Richard Widmark) as he backs the wrong wrestler and learns there’s no escaping the underworld, only sinking deeper into it.— DE. “I'm funny how, I mean funny like I'm a clown, I amuse you? I make you laugh, I'm here to fuckin' amuse you?”It might just be Martin Scorsese's finest two hours and change, this swirling, relentlessly paced crime classic that served up a feast of salty dialogue (we all have our favorite quotes) and, in turn, directly inspired both The Sopranos and Quentin Tarantino's on-the-horizon game-changers. It's not a stretch to call Goodfellas the most significant movie of the last 25 years.
It's certainly the most fun.— JR. “Alright, sister, that's a mighty pretty head you got on your shoulders. You want to keep it there or start carrying it around in your hands?”The best “one last job” movie ever made, Stanley Kubrick’s third feature is a terse and nasty little noir about a career criminal (Sterling Hayden) who assembles a team for the racetrack heist that’s going to net him the dough he needs to get out of the game and marry his gal. Kubrick caps off the story with the kind of nihilistic panache that makes even the end of Dr. Strangelove feel like a happily-ever-after.— DE.
“Leave the gun. Take the cannoli.”The undisputed don of the gangster-flick family, Francis Ford Coppola’s timeless tragedy of twisted loyalty and moral decay refuses to become any less powerful or relevant. From its epic moments—the horse’s head in the bed, Luca Brasi’s bulging fish-eyes—to the most intimate details (Enzo the baker’s shaking hands, Clemenza’s spaghetti recipe), The Godfather never puts one immaculately crafted leather boot out of line. If we revisit this list in a century’s time, expect it to be holding steady in the top spot.— TH.